MYTHOLOGY-FAIRY TALE-FABLE-FOLK TALE-URBAN LEGEND

This story was first recorded by Charles Perrault in his Contes De ma Mere L'Oye in 1697. He called the story Le Petit Chaperon Rouge. The story first appeared in English in 1729. Many grim and gruesome endings to the story exist. The version that we have retold here, in which a passing woodcutter rescues Red Riding Hood and her grandmother, was recorded by the Brothers Grimm under the title of Little Red Cap. Beatrix Potter used a similar storyline in The Tale of Jemima Puddleduck.

The version most widely known today is based on the Brothers Grimm variant. It is about a girl called Little Red Riding Hood, after the red hooded cape or cloak she wears. The girl walks through the woods to deliver food to her sick grandmother. A wolf wants to eat the girl but is afraid to do so in public. He approaches the girl, and she naïvely tells him where she is going. He suggests the girl pick some flowers, which she does. In the meantime, he goes to the grandmother's house and gains entry by pretending to be the girl. He swallows the grandmother whole, and waits for the girl, disguised as the grandmother. When the girl arrives, she notices he looks very strange to be her grandma, then, eventually he swallows her whole too. A hunter, however, comes to the rescue and cuts the wolf open.

Little Red Riding Hood and her grandmother emerge unharmed. They fill the wolf's body with heavy stones, which kill him. Other versions of the story have had the grandmother shut in the closet instead of eaten, and some have Little Red Riding Hood saved by the hunter as the wolf advances on her rather than after she is eaten.

The tale makes the clearest contrast between the safe world of the village and the dangers of the forest, conventional antitheses that are essentially medieval, though no written versions are as old as that.

The theme of the ravening wolf and of the creature released unharmed from its belly is reflected in the Russian tale Peter and the Wolf, and the other Grimm tale The Wolf and the Seven Young Kids, but its general theme of restoration is at least as old as Jonah and the whale. The Theme also appears in the story of the life of Saint Margaret, where the saint emerges unharmed from the belly of a dragon.

Although no written forms of the tale predate Perrault, the origins of the Little Red Riding Hood story can be traced to oral versions from various European countries and more than likely preceding the 17th century, of which several exist, some significantly different from the currently-known, Grimms-inspired version. It was told by French peasants in the 14th century as well as in Italy, where a number of versions exist, including La finta nonna (The False Grandmother). It is also possible that this early tale has roots in very similar Oriental tales (e.g. "Grandaunt Tiger").

These early variations of the tale differ from the currently known version in several ways. The antagonist is not always a wolf, but sometimes an ogre or a ‘bzou’ (werewolf), making these tales relevant to the werewolf-trials (similar to witch trials) of the time (e.g. the trial of Peter Stumpp). The wolf usually leaves the grandmother’s blood and meat for the girl to eat, who then unwittingly cannibalises her own grandmother. Furthermore, the wolf was also known to ask her to remove her clothing and toss it into the fire. In some versions, the wolf eats the girl after she gets into bed with him, and the story ends there. In others, she sees through his disguise and tries to escape, complaining to her "grandmother" that she needs to defecate and would not wish to do so in the bed. The wolf reluctantly lets her go, tied to a piece of string so she does not get away. However, the girl slips the string over something else and runs off.

In these stories she escapes with no help from any male or older female figure, instead using her own cunning. Sometimes, the red hood is even non-existent.


There have been many modern uses and adaptations of Little Red Riding Hood, generally with a mock-serious reversal of Red Riding Hood's naïveté or some twist of social satire; they range across a number of different media and styles. Multiple variations have been written in the past century, in which authors adapt the Grimms' tale to their own interests.